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No wonder the violet-crowned had been envied by gods and men ever since Poseidon and Athena disputed the patronage of the newly found city. The God of the Sea struck the rock of the Acropolis with his trident, and water as well as a fiery steed sprang forth. Yet the Olympian gods sitting in judgement awarded the coveted prize to the Goddess of Wisdom for her olive tree, symbol of peace and prosperity.
The approach appears to be working for them.
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Situated on the highest platform of the Acropolis, majestic in its proportions, it is so much larger than I had ever imagined to be, and tremendously impressive. The ground we stand on appears to be all natural marble, veined pink and grey and ivory. It is beautiful, slippery, shiny and smooth.
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I decided, standing before the Erechthion with its famous Porch of the Caryatids, that if I ever decide to denounce my atheism and worship a deity (or three) Athena, she of Olympian wisdom, would be my goddess of first choice. Built on the site of an earlier temple of Athena between 406 and 393 CE, the Erechthion is dedicated to both Athena and Poseidon, the God of the Sea, to whom I am also perfectly willing to pay tribute, should the occasion arise. But I fell in love with the the Caryatids way back in high school; those lovely, graceful figures of young women in flowing drapery and elaborate head dress supporting that immense stone structure has always appealed to me as an image of feminine strength and beauty. Without the goddess, there is no temple. Without support, the roof collapses. Without women, the world comes tumbling down.
I went back, grabbed the Turk and begged him to come up and meet the temple gods. He did, and pronounced them good.
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The sun was setting as we wound our way back down the hill. We stopped at a tiny, picturesque taverna, with tables set on either side of a narrow street. When we told him we wanted to sit outside, the owner ~ there is always an owner, manager or family member enticing you in, bidding you welcome ~ beckoned us to one of these tables, saying, "Here is outside ~ in the middle of the road! Watch out for cars!" We laughed. And realized, as a small vehicle inched past our knees minutes later, that he was only half joking.
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Rested, we wandered down into the Plaka, where the narrow lanes have preserved their local color and the tavernas, shops, nightclubs and bars are alive with the musical chatter of locals and tourists of every nationality in nearly equal numbers. The shopping is indeed marvelous, with fabrics, clothing, leather goods and jewelry literally spilling out onto the street. It has all the liveliness of a modern bazaar.
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One of the elements in this city of parallel realities that struck me as most surprising was the quality of the grafitti. Much of it was startling and beautifully rendered. My first thought was that some of it belonged in a gallery, but this was quickly replaced by another ~ that it was perfect just as it was; an art that lives, breathes in the streets, an intrinsic part of an exciting community.
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"This is not Greek, it is French, but your first must be the very best," he said with a conspiratorial wink.
Turk looked on warily. "Isn't that stuff supposed to make you hallucinate?" he asked, sounding for all the world like a man not anxious to have his wife hallucinating in public.
"I believe that is the point," I said cheerfully, watching the clear emerald liquid turn cloudy as the ice dissolved in the tapered glass. I took a long, slow, anticipatory sip.
It was delightful; refreshing, licorice-y, a bit like Pernod. I can't truthfully say I saw any little green fairies that evening. But I did get a fabulous night's sleep.
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4 comments:
I'd say you know how to do a vacation right. You have got my travel lust up to full steam.
I love the picture of the ass crapping! LOL! I must say the goddesses holding up the temple is my favorite too but wow it is all so amazing. Please continue the tail - wait I mean tale. Surely, there is more?
What a great entry...I have to go there. I hope there is more coming. I'm going to drink along with you.
Pitcures are amazing, and you took me on your journey -- I see why you didn't want to come back. I am so jealous you got to sample absynthe, as I used to dream of drinking it in the Ritz Bar in Paris or on Gertrude Steins's couch at one of her many evening salons with all my fellow arty ex-pats. But had I lived then, I'd be dead now, lol. That's my rationale.
You are right about the grafitti (suddenly I can't spell that). It's amazing -- I have to go back and look at them again.
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